Cinema's Original Sin: D. W. Griffith, American. McEwan, McEwan,**
For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith\u2019s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.
In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film
Cinema's Original Sin
D. W. Griffith, American Racism, and the Rise of Film Culture
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Cinema's Original Sin: D. W. Griffith, American. McEwan, McEwan,**
For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith\u2019s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.
In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film
Cinema's Original Sin
D. W. Griffith, American Racism, and the Rise of Film Culture
Free UK delivery on this item.
This brand new item is available with free UK delivery using Royal Mail;
Price now:
From
£23.76
To
£26.95
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Product Description
For over a century, cinephiles and film scholars have had to grapple with an ugly artifact that sits at the beginnings of film history. D. W. Griffith\u2019s profoundly racist epic, The Birth of a Nation, inspired controversy and protest at its 1915 release and was defended as both a true history of Reconstruction (although it was based on fiction) and a new achievement in cinematic art. Paul McEwan examines the long and shifting history of its reception, revealing how the film became not just a cinematic landmark but also an influential force in American aesthetics and intellectual life.
In every decade since 1915, filmmakers, museums, academics, programmers, and film fans have had to figure out how to deal with this troublesome object, and their choices have profoundly influenced both film
Cinema's Original Sin
D. W. Griffith, American Racism, and the Rise of Film Culture
Free UK delivery on this item.
This brand new item is available with free UK delivery using Royal Mail;
Product Specifications
General | |
|---|---|
format | trade paperback |
Language | english |
type | textbook |
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